I grew up in a house full of guitars, as my father was forever building electric guitars on the families kitchen table. I spent my teenage years trying to tame a 100 watt Marshall JCM 800 and matching 4 x 12 cab in a bedroom, only just large enough for a bed. I’d bought it not REALLY understanding exactly how loud 100 watts is. At this young age I started to experiment with recording and MIDI and cut my teeth on Pro 24 and Notator on an Atari synced to a Foster R8 with an MTC-1.
Playing in bands and working in recording studios for many years, I learned to mix, record and eventually worked as a sound engineer. I also worked for many of the UKs large pro audio retailers, where I helped to set up DAWs in everything from local studios, music technology colleges all the way through to world famous recording facilities like Air Studios and The Strongroom. As I couldn’t help myself, I even owned my own recording studio in London for a while. There I learnt a lot about recording guitars, dealing with bands and getting quality results anyhow.
Over the years I have acquired a very sizeable guitar collection, which includes many guitars that I have built myself. I’m a total hoarder of effect pedals and valve amps and I’m a certified guitar geek. So there are not many that I have not owned at least once. Whether Parker Fly guitars or Klon Centaur pedals, I’ve had them all. Now running the annual Analogue To Digital music show in the UK, plus the Vintage Guitar Fair, I get to be busy throughout the year and also get to rub shoulders with many other guitar lovers, luthiers, manufacturers and pro players.
My tastes in music includes everything from Dinosaur Jr to Squarepusher.
Write him: jef (at) gearnews (com)
NAMM
The Somnium Guitar range takes many shapes and forms, but is essentially one guitar at heart.
The Holy Fuzz is back - but only for limited time. All just marketing hype? Or does it actually offer something you truly cannot get elsewhere?
Mike Watt has designed a lush-looking short-scale instrument that looks like it can take on the world - enter the Wattplower!
EH's old Bassman/Plexi style amp circuit from the '90s is to be re-released as the MIG 50 - just with better quality components and (hopefully) for those on a lower budget...
Smaller, more versatile and just as dirty as before: The Pigtronix Disnortion looks very handy for guitar, bass or even synths.
NAMM
All those cool new toys to play, celebrities signing stuff and booth babes, but somehow it still sucks...
The new 1979 takes its classic '70s Big Muff tones and puts them into a modern day pedal, without all the hassle of the originals.
The new RED pedal is anything but transparent, so if you like lots of gain, this is one to check out; in other news, their popular Julia Chorus/Vibrato pedal gets a limited run, as well...
It's free, well laid out and simple to use: Following on from its launch last year on Apple's iPhone, Fender Tune is now finally available to Android users.
Chase Bliss Audio present this intriguing new take on gain staging, marrying analogue sound circuitry with a digital "brain" in a way that makes for a lot of options.
Ibanez and George Benson go way back - four decades, to be precise! The Japanese maker is releasing two high-spec signature guitars at (slightly) different price points.
Two years in the making the new Marty Friedman twin channel valve behemoth full of German amp gain is finally ready.
A new guitar tuition system aims to support learners by using LEDs to show you where to put your fingers on the fretboard - shame about the stupid name, though....
Charvel have produced a new signature San Dimas model for Joe Duplantier of French avant-metal legends Gojira.
Jackson roll out some very metal guitars for the new year, some more pointy than others!
With the Ibanez Custom Shop at his disposal, Steve Vai can order just about anything, including the 'Woody' JEM! Watch the birth of Woody, and a master at work.
For 2017, Fender is trying something different, offering us guitars made with some less usual, 'exotic' woods recycled from a variety of sources, including some wood that's over 100 years old...
With plenty of headroom via its internal 30v circuit and some 20 dB of boost, Magentic say that their new Zola effect can help keep your guitar tone intact in all situations.
Isn't it about Dunlop released another range of Jimi Hendrix effect pedals? Ooh, aren't we lucky, they're about to do it all over again!
Ampeg didn't announce any new amps at NAMM 2017, but instead presented the Classic Bass Preamp and Scrambler Bass Overdrive pedals - that look derived from the SCR-DI...
The TrueOverDrive 1 attempts a different take on your typical OD tone, using a "cascading gain" for a valve-like overdrive. Will that be enough to stand out from the crowd?
Possibly, not the best choice the US guitar company has ever made. A certain 'prototype' is a no show for NAMM.
Renowned American boutique guitar maker Fano is expanding its guitar ranges at both ends of the price scale, with new Alt de Facto models as well as additions to their 'budget' Standard Series.
Dave Friedman is most definitely the boutique demi-god of 2016, so what does he have in store for us all in 2017?