I grew up in a house full of guitars, as my father was forever building electric guitars on the families kitchen table. I spent my teenage years trying to tame a 100 watt Marshall JCM 800 and matching 4 x 12 cab in a bedroom, only just large enough for a bed. I’d bought it not REALLY understanding exactly how loud 100 watts is. At this young age I started to experiment with recording and MIDI and cut my teeth on Pro 24 and Notator on an Atari synced to a Foster R8 with an MTC-1.
Playing in bands and working in recording studios for many years, I learned to mix, record and eventually worked as a sound engineer. I also worked for many of the UKs large pro audio retailers, where I helped to set up DAWs in everything from local studios, music technology colleges all the way through to world famous recording facilities like Air Studios and The Strongroom. As I couldn’t help myself, I even owned my own recording studio in London for a while. There I learnt a lot about recording guitars, dealing with bands and getting quality results anyhow.
Over the years I have acquired a very sizeable guitar collection, which includes many guitars that I have built myself. I’m a total hoarder of effect pedals and valve amps and I’m a certified guitar geek. So there are not many that I have not owned at least once. Whether Parker Fly guitars or Klon Centaur pedals, I’ve had them all. Now running the annual Analogue To Digital music show in the UK, plus the Vintage Guitar Fair, I get to be busy throughout the year and also get to rub shoulders with many other guitar lovers, luthiers, manufacturers and pro players.
My tastes in music includes everything from Dinosaur Jr to Squarepusher.
Write him: jef (at) gearnews (com)
A rumour come true: Gary Moore's Stratocaster now available as strictly limited Custom Shop model.
This limited edition wah pedal was designed with The Cult's guitar tones in mind. Will the world 'love' this new addition to the popular Cry Baby Wah range?
We at GearNews believe that a good dirt box is an essential part of any guitarist's rig. We've rounded up our top fuzz pedals that have been released so far this year.
Fender have now launched their range of in-ear monitoring systems for musicians. It's a pretty competitive market and they have decided to launch with five different versions in total. Is this brave or ...
Due later this year, the Distortion Pro from Positive Grid is intended to model all types of gain pedal in your DAW via the Positive Grid BIAS software. Virtual gain in a virtual world?
Organic-sounding tonal options from Rivet: the company has announced a crowd funding campaign to get their new design off the ground and into your guitars. This is one to watch out for and check out.
A very special bit of kit, this fuzz pedal has lots of hidden symbolic messages about Mr Johannes' marriage to his late wife, Natascha Shneider.
This amp has been a 'not so secret' secret for some time now and it looks like you will finally be able to get one, albeit via a crowd funding website, which is an interesting way of distributing an amp.
Hopefully the first of many virtual amps from this collaboration of two great music companies, the virtual Fender '55 Twin Deluxe brings a classic guitar amplifier into a modern recording environment.
The popular Toneprint Series of pedals get a new addition to the range. With lots of flexibility, edibility and polyphonic capabilities. Just how low will it go?
The Bauhaus-inspired paint job on this limited run celebrates the anniversary of this very angry little box of fuzz. Limited to 25 pedals worldwide, this will appeal to the dedicated collector. But is it worth ...
Featuring powerful internal processing via a new DSP chip, this delay/reverb goes far beyond the BBD delay pedals from the early '80s that it is based upon.
Available in ridiculously limited numbers with a price tag to match, this unique delay pedal is based around technology from the not so distant past: floppy discs.
So this sneak preview of this classic design updated for the modern player has the guitar forums alight with discussions this weekend already.
A modern interpretation of the much loved MXR 45 phase circuit. With come modern tweaks and an added vibe function as well.
Crowd funding could be the way forward to bring back these once very popular fuzz boxes from the USA. The Cream Puff fuzz has not been available for some years now and so hopefully it will return soon!
A boutique-spec'd metal amp for the price of a mass-produced amp? Hand made in Panama, these new 15-Watt guitar heads certainly look very flexible for the money.
Possibly the most ridiculous product of the week? Surely this would have been better in a different format? You decide.
The plot thickens. It appeared briefly on Facebook and Twitter, has been pulled again and now there is nothing to be seen anywhere. So, Fender, where is this fabled Gary Moore Stratocaster?
The new for 2016 Ibanez Artcore Vintage range of distressed semi-hollow guitars and basses will definitely divide opinion. This new series includes heavily 'aged' instruments made to look very used indeed.
This pedal looks like it could be a groundbreaking ambient effect unit, developed with the legendary guitar player and one time wearer of the almost as legendary skullet!
A new high quality boutique dual pedal for boosting you guitar signal. Based on a '70s classic and a boutique modern boost.
New for 2016: the Reverie series of twin pedals pack a lot of features into a fairly small format, and could be a good way of cramming a lot of effects onto a crowded pedalboard.
The 2016 Limited Edition guitars are all now released and there are some really cool, interesting looking guitars. Some old favourites have returned as well.