Best Synths of Superbooth24
We were delighted with Delia, tickled by TEO-5 and pleased with the PolyBrute 12 - but bemused by the lack of Muse.
4,0 / 5,0 | 
Big polys dominated the show floor with the best synths of Superbooth24 coming from Arturia, Melbourne Instruments and Oberheim… but what about Moog?
This year’s Superbooth was quite a show. What was once a small and Eurorack-focussed affair has grown into the synthesizer event of the year, even surpassing NAMM for sheer synth-related announcements.
May 16 to 18 saw Superbooth24 dominated by polyphonic synthesizers, with more flagships on display than Fleet Week. Arturia’s PolyBrute 12, Oberheim’s TEO-5 and Melbourne Instruments’ Delia were just a few of the impressive instruments on hand.
It being Superbooth, there were plenty of Eurorack modules and boutique devices on display as well.
What follows are my picks for the best synths of Superbooth24. These are the instruments that wowed me the most. Although given the sheer number of incredible machines on tables this year, I can’t feature nearly as many as I’d like to here.
Best Synths of Superbooth24: Polyphonic Power
With all of the big bad polys – many analogue – at Superbooth24, you’d be forgiven for thinking it was the late 1970s again. Here are the ones that pricked up my ears.
The biggest surprise for me was Melbourne Instruments’ Delia. A six-voice/12-note poly with virtual analogue and wavetable oscillators, analogue and digital filters plus those fantastic motorized faders, it sounds as fantastic as it looks. However, the only let-down is it doesn’t have polyphonic aftertouch. You can’t have everything though.
Another surprise was the Oberheim TEO-5. Oberheim’s most affordable synth ever, it squeezes Obie oscillators and a SEM filter into the Take 5 form factor. Even at 87 years old, Tom keeps delivering.
The biggest jaw-dropper of the show had to be Arturia’s PolyBrute 12. Absolutely gorgeous in Axel Hartmann-designed chunky cream, it really churned up the waters with its bold look and bolder sound. Our own Rob Puricelli in his review said, “I truly believe that the Arturia PolyBrute 12 is the most natural successor to the Yamaha CS-80”. All that and MPE too.
Another big surprise at the long Berlin weekend was UDO Audio’s Super 8. The 16-voice hybrid analogue joins the Super 6 and Super Gemini as one of the best-sounding synths on the market. And yes, it has polyphonic aftertouch. Fingers at the ready.
My pick for the best-looking synth is Dreadbox’s Murmux Adept Edition (sorry Crum2, you’re a very close second). I mean, the eight-voice, limited edition desktop poly has tweed trim. Tweed, I say! The sound is anything but twee though. And yes, it’s sadly already sold out.
Finally, Korg Berlin wowed us with the Acoustic Synthesis_phase8, the latest iteration of its electroacoustic device. Hurry up and release it, already!
Best Synths of Superbooth24: Modular Mania
Of course, the booths wouldn’t be super without Eurorack, modular and semimodular offerings. It’s part of what makes the annual Berlin show so great. Sure, there are big-ticket items to get excited about but tomorrow’s synthesis advancements are happening here at the small-run level. Let’s get excited.
Pittsburgh Modular is unstoppable. First the Taiga Keyboard and now Voltage Lab 2. Another gorgeous semimodular monster, it’s packed with the kinds of unique analogue synthesis functionality that Pittsburgh is famous for.
Moog finally brought its vocoder Spectravox to market after debuting at Moogfest in 2019. However, Moog was most conspicuous for what it didn’t show: the recently leaked Labyrinth and Muse. The latter was particularly surprising given the recent social media drip feed of photo teases. Maybe NAMM?
Black Corp dropped the ISE-NIN Voice, a single voice from its lovely Jupiter-8-style ISE-NIN. It pairs with a Breakout panel to add complete control over all parameters. They also debuted the Kijimi MKII.
Speaking of complete voices, Befaco’s Oneiroi is a drone-oriented Eurorack module with a supersaw stereo oscillator (plus wavetables), a multimode filter and a three-band resonator, amongst other fun things.
It’s time to give the drummer some. Vermona has taken the kick channel from its DRM1 MKIV drum synthesizer and made it into a Eurorack module. Called Bass-Drum, the still-prototype module has V/Oct input with precise tracking over several octaves while Decay, Pitch, and Wave parameters each have a CV input with an attenuator.
Speaking of drums, BASTL Instruments’ Pizza Crust is a “hard-hitting drum voice” for Eurorack developed out from the digital Pizza platform. It has a variety of oscillator configurations, a transient shaper, a fast envelope and clipping.
Best Synths of Superbooth24: The Best of the Rest
There was lots more on hand to tempt and tantalize at Superbooth24. Here are a few of the boutique machines that I particularly liked.
Like a Moog DFAM for Front 242 fans, Body Synths Metal Fetishist is a noisy, digital percussion synth.
The first of two FM synths that modulated my carrier was First LOVE FM Synthesizer. Super cute like a medical device with a touchscreen, it has a synthesis engine with four simultaneous timbres, each a 4-op FM synth with its own MIDI channel.
The other was Twisted Electrons’ Twist FM. Big and beefy with more sliders than Jerry O’Connell, it’s an eight-voice polyphonic FM synthesizer based on YMF262 Sound Blaster Chips. It’s also got an analogue filter and dual layers. It sounds a monster too.
Finally, I was intrigued by Tangible Waves’s IMDI-compatible modules for the AE Modular system. IMDI is a new protocol that transmits MIDI over the same cables as CV signals. Something to keep an eye on.
What grabbed your attention at Superbooth24? Let me know in the comments section.
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One response to “Best Synths of Superbooth24”
You are missing one of the 3 best synth of the show : the supercritical redshift